Category / Artificial imagination / Extinction / Fiction / Dislocation of the ruins / Hyperproduction / Installation / Infinite landscape / Video

My first experiments with recursive neural networks date back to 2009 with the Capture project. Over the years, AI has become a method I’ve applied to the production of sounds, texts, still and moving images and sculptures, as well as a way of approaching the times in our world through statistical induction, disrealism and latent space.
Some working notes on ImA
Research seminar at ENS Paris